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Photo by Amazon Studios

Not much happens, and everything happens, including hookups and dustups, pained truth-telling and peace-saving lies. Robespierre’s film, abundant in pleasures and insights, is more varied and confident than her debut, 2014’s Obvious Child. On occasion, the joyous raunch clashes with the truth-telling, and the light ’90s nostalgia sometimes detracts from the emotional urgency. The story moves in awkward fits and starts — but so do people. Especially the generation the film depicts, represented here by a confused teen terrified of commitment and a dissatisfied laugher too smart to make speeches about the Way Things Are, the way those dopes did in Reality Bites.
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